Sunday to Sunday, February 7-14, 2021
All week long watching, listening and dreaming with Susie Ibarra's Talking Gong. We invite you to bring your listening into your overnight dreaming. Contribute your dreams to The Big Dream Dream Sack.
Released January 21 2021, Talking Gong is a portrait album featuring solos, duets and trios with her new trio with Claire Chase and Alex Peh on New Focus Recordings. Talking Gong is available digital and limited edition vinyl formats. Ibarra's work melds influences from her Filipina heritage with her uniquely virtuosic approach to the drum set and sound collage.
To purchase album and for more information visit New Focus Recordings Talking Gong
Susie Ibarra is a Filipina-American composer, percussionist, and sound artist. Her sound has been described as “a sound like no other’s, incorporating the unique percussion and musical approach of her Filipino heritage with her flowing jazz drumset style” (Modern Drummer Magazine) and her compositions are sometimes described as “calling up the movements of the human body; elsewhere it’s a landscape vanishing in the last light, or the path a waterway might trace” (New York Times).
All week long watching, listening and dreaming with Susie Ibarra's Talking Gong. We invite you to bring your listening into your overnight dreaming. Contribute your dreams to The Big Dream Dream Sack.
Released January 21 2021, Talking Gong is a portrait album featuring solos, duets and trios with her new trio with Claire Chase and Alex Peh on New Focus Recordings. Talking Gong is available digital and limited edition vinyl formats. Ibarra's work melds influences from her Filipina heritage with her uniquely virtuosic approach to the drum set and sound collage.
To purchase album and for more information visit New Focus Recordings Talking Gong
Susie Ibarra is a Filipina-American composer, percussionist, and sound artist. Her sound has been described as “a sound like no other’s, incorporating the unique percussion and musical approach of her Filipino heritage with her flowing jazz drumset style” (Modern Drummer Magazine) and her compositions are sometimes described as “calling up the movements of the human body; elsewhere it’s a landscape vanishing in the last light, or the path a waterway might trace” (New York Times).
